My History | teatrodemauri-en

Mi Historia

1974: - He studied drawing and graphic design at the Pan American School of Art.
1976: - Works graphic design in the Creative Action Workshop.

1978
THEATRICAL PERIOD

- Enter T.I.T. Theatrical Investigations Workshop directed and coordinated by Juan Carlos Uviedo. With him he conducts a theatrical investigation that includes authors ranging from Artaud and Genet to Beckett and Ionesco.

Participates in the theatrical intervention "Babel Lebab" based on a research on theatrical languages.

1979: - Opens and coordinates a theatrical laboratory with Ruben Gallego, based on the themes of dreams about texts by Freud and Artaud.

- Performs various street interventions and continues to improve as an actor in the school of Roberto Villanueva. He works as an alternate actor in "El Plauto" under the direction of R. Villanueva in the old Teatro de la Cortada.

1980: - In January begins to travel to Rosario and is integrated to the theater and musical group "Cucaño". Produces its first theatrical putting like director. "The Banquet of the Pordioseros", based on a journalistic investigation of the magazine Satiricón.

- Enter as an actor the School of Contemporary Mime by Alberto Sava

- In November together with other members of the T.I.T organizes an alternative art festival called "Alterarte 1" which brought together various experiences of the avant-garde under that time. Participating in this festival are currently very recognized figures of the world of art and culture as Guille Kuitca, Gabriel Messil and Leandro Rossatti among many others.

1981: - Rubén Gallego regroups the TIT and presents a work based on "Funeral Pompas" of Jean Genet that is theatralized on March 24, on the 5th anniversary of the military coup in the old Theater of the Picadero, giving a unique and multitudinous function that Culminates in the street.

- In October travel to Sao Paulo where next to the T.I.T. And the theater group "Viajo Sem Passaporte" performs 2nd Alterarte Festival at the headquarters of the University of Sao Paulo.

1983:
- Travel and residence in Sao Paulo. During all this year, he collaborates in the assembly of a theatrical room of Sao Paulo, called "Zona Fantasma" where it acts and sings until its return in March of 1984.
- University of Sao Paulo: Philosophy Classes with Nestor Perlongher: Deleuze, Guattari, Nietzsche, Spinoza, Foucault.

1984
LITERARY PERIOD

- It begins to publish in diverse means and initiates of this way a race like journalist and writer. From this moment and in some cases until today it publishes articles, opinion notes and investigative journalism in the following recognized means:

- "Satiricón" magazine, directed by Oskar Blotta, until 1986.

- "El Porteño" magazine, directed by Gabriel Levinas and Jorge Lanata, until 1989.

- "Pig and Fish" magazine, directed by Enrique Symns, until 1997. In this publication he begins signing under the pseudonym "Helmostro Punk" and directs a supplement - along with Roberto Barandalla and the cartoonist MOSQUIL, during 6 numbers that is called " Chinatown".

- Magazine "End of Century", directed by Vicente Zito Lema, until 1989.

- "South" newspaper, directed by Carlos Aznares, until 1990.

- All the year and the next one dedicates to the literary activity, participates in workshops, meetings of poets and alternative publications.

1988:
- Performs the introduction of the legendary punkrock disc "Invasion 88".

- Trip to Bolivia, Chile and Peru.

1989:
- It is installed in San Bernardo, Province of Buenos Aires. There he works in Radio de la Costa where he performs almost every possible job on a radio, from operator to conductor, announcer and animator.
In December he left for France and settled for two years in Paris, France

1990
PERIOD FRANCE.

From December 1989 to July 1992 he lives and works in Paris with the urban intervention group "Les Arzonautes", a multimedia group made up of a large group of artists from all disciplines, from theater and video to performance and painting .

With several workshops recycled from old mills disaffected by deindustrialization, the group forms a powerful team of which diverse means are echoed with varied journalistic articles.

In May 1991 the group organized a festival in Budapest, Hungary, in a disused factory on Tuzolto Street and organized the first urban circus in the city.

He begins to introduce himself in the art of juggling and specializes in passing clubs and diabolo. Pinta, he carries out exhibitions in the under and publishes in French in means of the youth culture of Paris. Regents the Theater "Pied De Biche" and opens its own atelier called "Les Cafetiers".

In 1991 at the behest of Phillippe Decouflee and Daniel Meldour, he became involved in the project "Cargo 92", to organize the landing of the project in Buenos Aires.

In 1992, at the request of this project, he returned to Buenos Aires.

1992-93
ARTISTIC PERIOD
URBAN - CIRCENSE.

With his arrival in Buenos Aires begins a period of street artist that continues until today.

October:
-Participates in the event "Soup of Solis", urban perfo linked to the Counterfeit of the Quincentennial of the Discovery of America, next to the group "The Stone" founded by the Argentinean plastic Dany Sanjurjo and in which it knows Tulio Castaño.

November 1992 to December 1993:
- He made his first unipersonal of humor and juggling and part to San Clemente del Tuyú where he conceived his show "Circo Moskova Caligari", the smallest circus in the world.
- In Buenos Aires it appears spontaneously in Plaza Francia-Recoleta.
- He is invited by Miguel Briante - then director - to the Recoleta Cultural Center where he performs functions until the end of the year in the Patio del Aljibe.

In 1994 he founded together with Pablo Del Giudicce and Ricki Rodríguez Aldao the Jugglers of the Apokalipsis

1994
PERIOD
The Jugglers of Apokalipsis

The three made a successful season together in San Clemente del Tuyu and decided to do a mini tour through France with the idea of generating a show in a trio of humor and juggling that aimed to renew the street scene.

The group went through various denominations and was recognized by different names, overcame crisis and suffered desertions as well as accepted and still accept incorporations, ie the group is living and very dynamic. The original group returned to Bs. As. In September 1994, with the idea of acting and spreading the malabaric arts in Buenos Aires. It appears spontaneously in Pza. France being an event of public, from this moment "The Jugglers of the Apokalipsis" appear until 1998 in that same place.

nineteen ninety five

LMDA Season in San Clemente:
As it is traditional in the groups of street theater during the months of January and February, the group faces the show of its first summer season to mount it in the amphitheater Pereyra of San Clemente of the Tuyú. There they perform two daily functions, the cap, with a show that goes on to last a continuous hour of humor and juggling until the end of February.

Performances in Recoleta
The group is present in Recoleta throughout the year on Saturdays and Sun Sundays doing functions to the cap.

Circus Sandrini Resurrects
Together with the groups "Los Hnos. Choclovich", "La Ché", and other artists from the middle street, the group performs a stronger show in terms of humor, staging, costumes, performances and technique that was called " The Circus Sandrini Resurrects ". The first performances of this show were held in San Bernardo, continued sporadically in Pza. France, and was presented at the 1st Theatrical Encounter of San Fernando, Province of Buenos Aires.

Institute of Kaos.
The group founded one of the first schools of juggling and street theater, which in its first call managed to bring together a group of almost 40 students, some of them recognized young jugglers of the street scene of the present. The first intensive seminar lasted 3 months and was held at the "Die Schule" nightclub.

Newton Magazine The Pelotas.
He founded the magazine "Newton Las Pelotas". Subsequently the publication was in the hands of Germán De Souza who currently directs and is an accepted and recognized publication that currently goes for its number 14, is free distribution and distributes 5000 copies.

1st Meeting of jugglers.
The group participates in the 1st Meeting of jugglers organized by the group Catalinas Sur and Mario Perez Ortaney.

Founding of the Assoc. Forte Garrizone.
In June, the group and its partners decide to go live together with the idea of generating an even bigger project, with greater repercussion. In the town of Tigre they rent an old house from the last century, where in the middle of Industrial sheds find the inspiration to generate new projects. This house is baptized by the group as the "Forte Garrizone", in tribute to a gag of their show the Circlet Sandrini Resucita. The group left the house in December 1998.

Performances M.K.M.
Occasionally, the group is summoned to act in certain events - generally massive - that do not allow an accurate visualization of the group's humorous work and the remoteness of the group does that the necessary feedback for a good work is lost. In order not to lose the opportunity to act, the group created its "Metal Klun Malabar Section" that orientates its work towards performances of all kinds, especially industrial type, without text, with a lot of metallurgical action - with all the baggage of things that carries the term - and without the comicidad is an essential condition. In this case the group is more open and under that name The Jugglers of the Apopkalipsis acted in 14 opportunities: "Obelisco Andamius", "Cristofolus", "Cisnerus", "Colchonetus" or "Skunk", (some photos of these performances are in The website of the Jugglers of the Apok